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Zhang Fuyun, Director of the International Federation of Literary and Art Circles

publish:2023-12-08 11:36:26   views :139
publish:2023-12-08 11:36:26  
139


Zhang Fuyun, a famous contemporary calligrapher. Born in Shandong in 1966, known as Lingmo Jushi. Veteran, currently a member of the Chinese Calligraphy Association, a member of the Chinese Hard Pen Calligraphy Association, a nationally registered senior calligraphy trainer, and a national guest ceremony artist. The work "Tian Xing Jian" is collected by the State Guest Rite Special Supply (Foreign Affairs) Management Center, and the work "Jing Qi Shen" is reviewed by the State Guest Rite Art Appraisal and Evaluation Committee. The work truly possesses the level of national ritual art. After investigation by the State Guest Rite Cultural Market Protection Committee, its calligraphy work costs 170000 yuan per square foot. The work "Tea Tasting and Enlightenment" is recognized and collected by the Celebrity Encyclopedia.

Teacher Zhang Fuyun inherited family teachings from a young age, loved calligraphy, and never stopped at Linchi. First, learn Yan Liu Ou Zhao's four body regular script, and then attack the "Two Kings". Lin wrote Yan Zhenqing's "Diligent Ritual Stele", "Sacrificing Nephew Manuscripts", Wang Xizhi's "Seventeen Calligraphy", Huaisu's "Self narration Calligraphy", etc. He applied what he learned, persevered, and integrated the strengths of a hundred schools of thought. The five body styles of seal, clerical, regular script, and grass were all excellent, forming his own calligraphy style with vigorous brushstrokes, grand structure, exquisite brushstrokes, graceful and vivid strokes, rich vicissitudes of life, and penetrating the back of the paper. Especially his cursive style is well versed in ancient Chinese brushwork, highlighting the beauty of "danger and smoothness" and "rain mixed with snowflakes". Its lines are interconnected, and air flows, as described by Mr. Song Baihua: "It can bend and gaze, with ups and downs, like the sparse branches and leaves of trees, wanting to give way to each other; like the diverse ripples of flowing clouds, and inheriting them in sequence." Its structure is unconventional, with different forms, and it is extremely dangerous to win. Its structure, with emotions in sight, and spirit flying, permeates the entire chapter with air, flying white frequently, with a sense of movement and elasticity; The ink rhyme gradually fades from thick to thin, from moist to withered, with clear beginning and end, and natural changes; Its artistic conception, fluctuating with emotions, has a strong sense of rhythm and rhythmic beauty. In 1989, he was personally taught by the renowned Chinese calligrapher Mr. Wu Zhongqi in Nanjing, and his calligraphy was highly praised by Mr. Wu. Has won numerous awards in calligraphy competitions both domestically and internationally. He has successively won the gold medal in the National Lei Feng Calligraphy Competition and the Military Calligraphy Competition in the military, and has won the highest honor in the National Shanghai Duan Calligraphy Competition. His works have been included in calligraphy and painting collections multiple times, and his calligraphy works are often collected by museums and domestic and foreign celebrities. His artistic achievements have been reported by multiple news media and included in famous Chinese and foreign works such as the "Dictionary of Contemporary Chinese Calligraphers and Painters".

In the ocean of calligraphy art, Teacher Zhang freely navigates, truly achieving delicacy and smoothness, simplicity and clarity. He dialyzes the spirit of nobility in his simplicity, and displays his stubbornness in his righteousness. On the path of creation, he constantly questioned and pondered, using Chinese characters as carriers, emotions as the main force, and creating a unique black and white space through changes in lines.










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