Wang Jingzhao, a calligrapher, also known by his pseudonym Xinchang, is a grassroots leader and a member of the Communist Party of China. He was born in Tangshan, Hebei Province. He serves as the chairman of the National Calligraphy and Painting Art Committee, the vice chairman of the Hong Kong Calligraphers Association, and is a national senior calligraphy artist and state guest artist. He is also the general manager of Tangshan Jinzhongshi Co., Ltd., the deputy director of Macao Metropolis Daily, the chairman of Liaoning Jinkai Feng Group Co., Ltd., the editor of World Guide, the deputy director of the "One Belt and Road" organizing committee of the China Police Forum, a "national senior psychological counselor," and a member of the Tangshan Calligraphers Association. He is a specially appointed art mentor and visiting professor for the "Artistic Masters" column on CCTV, a visiting professor at the China Academy of Management Science, the artistic director and invited judge mentor for the "Aesthetic Education Vision" column on the Central New Film Middle School Channel, a member of the Central Government Calligraphers Association, an honorary doctor at the Colorado School of Mines, a doctoral supervisor at Douglas College, the deputy director of China International Television, and the deputy secretary-general of the International Exchange Working Committee of the China Association for Service Trade.
In April 2025, the calligraphy work "Fu·Shou" was collected by the world-renowned Oxford University.
In October 2025, the artwork participated in the large-scale themed calligraphy and painting exhibition "Ink Captures the Spirit of the Army, Victory and Heroes" commemorating the 80th anniversary of the victory of the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War, and was highly praised by the attending leaders.
Teacher Wang Jingzhao has had a passion for calligraphy since childhood. Under the guidance of his father, Mr. Wang Shoucheng, he diligently studied for several years. Later, he became a disciple of the renowned calligrapher, Mr. Cui Huisheng, and attended the Chinese Traditional Landscape Painting Research Class at Peking University. Over a long period, he has devoted himself to the study of calligraphy, aiming to inherit and further develop traditional calligraphy. He persists in long-term practice and copying, learning from others' strengths and never giving up. Although he strives for innovation, he has finally achieved success and formed his own unique style. His works are steady yet agile, elegant yet powerful. The layout is meticulous, smooth and steady, with a well-balanced density, and profound connotation. His calligraphy works have been invited to participate in large-scale calligraphy and painting exhibitions held by authoritative institutions both domestically and internationally, and have been collected by embassies in China, important domestic institutions, international friends, and calligraphy and painting enthusiasts.
