Yin Hongliang, Director of the International Federation of Literature and Ar

    Yin Hongliang, also known as Yanjing and also known as Wan'an, is the owner of Moshu Thatched Cottage, male, of the Han nationality. Born in September 1972, ancestral home in Suzhou, currently residing in Beijing, as a professional painter. Contemporary art master, art connoisseur, collector, member of the International Federation of Literary and Artistic Circles, chairman of the People's Calligraphy and Painting Newspaper Council, visiting professor at the Chinese Academy of Management, and national guest artist. National first-class artist, the most collectible artist in China.

      Yan Jing Jingshan, characters, flowers and birds. Skilled in meticulous seal cutting. He is a professional painter dedicated to painting. Yan Jing's maternal grandfather was a descendant of Liu Yu, the famous poet and painter of the Ming Dynasty. He was the author of the "Complete An Collection". From a young age, I studied calligraphy, traditional Chinese painting, seal cutting, and poetry with my grandfather. I have always copied ancient paintings and works of famous artists from my family in painting. Experience the author's brushwork and ink charm while copying. How the author integrated calligraphy into painting, honed their brushwork and ink skills, and laid a solid artistic foundation for the future of painting. Later, he was sent by his grandfather to the Academy of Fine Arts to study sketching, oil painting, and sculpture, which further broadened his horizons in painting. I was also fascinated by the paintings of Shi Tao and Gong Xian. In Gong Xian's paintings, he can experience a sense of modernity, light, sketching, shaping, and the composition of straight lines. Especially Gong Xian's transformation from a white Gong to a black Gong gave him a deeper understanding of the Jimo method. Understand the relationship between artistic conception and objects in Shi Tao's "One Picture Theory". After graduation, he returned to his grandfather's side and, under his guidance, analyzed and studied the works of famous artists such as Gong Xian and Wang Meng over the years. To imitate the Yuan style brush, one must thoroughly understand the Song method. If the Song people's method is not thorough, the charm of the Yuan style brush will not emerge. They all learned the essence of previous generations before they walked out of their own path. Therefore, while copying family handed down ancient paintings, he extensively studied the works of famous artists in the Song Dynasty, such as Li Tang, Guo Xi, Fan Kuan, Liu Songnian, and the works of Yuan people, such as Huang Gongwang, Wu Zhen, Ni Zan, Wang Meng, and the works of Shen Zhou, Tang Yan, and Qiu Ying. He transformed Juran's brushstrokes into vivid ink, Wang Meng's teachings into natural laws, Ni Yunlin's Yuan people's ease into free and unrestrained ease, and tranquility into          movement. Interleave the structure of Blue Ying Mountain stone trees. Transforming into the skeleton in one's own painting. Experience the visual physical space and perspective effects, focusing on the volume relationship between yin and yang of objects and transitions similar to sketching techniques. Through these ancient strokes, achieve the realm and character of ancient life. Connect the realm of personality, mind, and vision with the ancients, and complete the expression of pen and ink language by tracing the ancients' brush and ink. Transforming from expressing nature with pen and ink to expressing nature with pen and ink. As a successful artist, one must not only learn, but also learn to throw. When a painter knows what to learn, he still stays at the technical level. When a painter knows what to throw, he enters the Seoul Arts Center. In middle age. Yan Jing transformed what he had learned into something. He traveled all over the mountains, rivers, and rivers of his motherland, pursuing the original intention of his pen and ink. Strive to uncover the true meaning of nature from the pen, and unify ink and nature together. At this moment, he can not only experience the charm of pen and ink in nature, but also appreciate the meaning of nature in the charm of pen and ink. In this way, he savored the natural charm and ink charm in his sketches and creations. By using the brush and ink of the Yuan Dynasty, and conveying the charm of the Song Dynasty, through one's own imagination and observation of nature, one has finally transformed what they have learned into something without trace, becoming a generation of masters in the contemporary art world.

      Yan Jing's work: Xishan series: "Xishan Elegant Residence Map". The Painting of Clear Mountains and Streams. The Painting of Rivers and Mountains on Taoism, etc. Mount Huangshan series: Mount Huangshan Pines and Waves, Mount Huangshan Cloud Sea. The Painting of Mount Huangshan Valley, the Painting of Mount Huangshan's Graceful Beauty, etc., the Painting of Lushan Thatched Cottage, the Painting of Lushan's Height, the Painting of Lushan Waterfalls, the Painting of Qingcheng's Pleasure, and the Painting of Qingcheng's Smoky Mountains. The Painting of Pine Feng Shui Moon, Songquan Gao Shi, and Taoyuan Xian Ji. The Jade Cave Immortal Yuan Painting. The Painting of Spring Dawn in Shu Mountain, the Painting of Wonderland in Shu Mountain, and the Painting of Clear Water in Xiaoxiang. Works such as "The Painting of Danfeng Flying Waterfall", "The Painting of Maple Leaves Flowing with Danfeng", and "The Painting of Lotus Pond Splendor".

Yan Jing is a master painter in China who has embarked on his own artistic journey. His works have high artistic value and collection value. His works have been highly sought after by major film studios and people from all walks of life both domestically and internationally. Treasured by people from all walks of life.

Appreciation of works: