Honorary Chairman of Li Wenmo International Federation of Literary and Art Circles

Li Wenmo was born in Shanxi. A famous contemporary painter has loved painting since childhood, learning traditional Chinese landscape painting techniques, and being taught by many contemporary masters of calligraphy and painting. He has gathered the strengths of each family and used his strength to create calligraphy and painting art, promoting the charm of traditional culture. I am currently a national first-class artist, honorary chairman of the International Federation of Literary and Art Circles, and have been awarded multiple honorary titles such as Contemporary Top 100 Artists. The work has been exhibited multiple times in domestic and international exhibitions, and is deeply loved by collectors.

Painting is like being a person, and while exceptional abilities are essential, profound insight and the practice of avoiding people are equally necessary. Having profound and unique insights into painting is another important reason why Li Wenmo's works are widely loved. A good painter has almost strict requirements for his own works. We often hear that the Impressionist master Renoir disregards the scorching summer at the porcelain factory in August, looking at the distant mountains and nearby gardens to capture the flowing light and shadow, and smearing his favorite moss green and strawberry red on the canvas, all with a blooming brush. Similarly, when Li Wenmo painted, he also had extremely high demands on himself: not to be vulgar, lose his own observation, not to distort, and lose the essence of nature. On top of the skills, fully overlay the charm; Inject emotions fully into the artistic conception. Let his paintings be effortless and natural.

A piece of paper and ink is like a vegetable and a rice, essential for literati. Shallow joy is like a dog, deep love is like a long wind. Li Wenmo's love for ink and brush, which is good at water, has made him spend decades writing and splashing ink. He never gave up when he encountered a bottleneck, practiced and observed diligently, truly achieving that ink has endless meaning, and the world is not endless inside and outside the painting. Like falling, like ripples, like the radiance of pearls and jade, like the roar of swans entering the vast expanse.

The revival of traditional culture at present has brought traditional Chinese painting back to the public eye. The older generation of painters who have silently worked in this field should also be witnessed by the times, and more traditional Chinese painting artists should be called upon to immerse themselves in this field, spreading the charm of the East and its unique aesthetic experience to the four seas and five geographical regions, and transforming their unyielding character and masterpiece.